Born in Houston, Texas, Brandon Caldwell has written for numerous publications including the Village Voice, the Houston Press, About, DJBooth, Refined Hype and more. He’s also the Editor-in-Chief of dayandadream.com and a student at the University of Houston seeking a BA in Journalism. He currently resides in Houston.
Every company is due for a dud. Marvel had given its three other Defenders properties their own identity and appeal. Daredevil took up Hell’s Kitchen with plenty of Catholic virtue about revenge wrapped around a constantly tectonic shift. Jessica Jones gave more weight to its characters and the power of will. Luke Cage allowed Harlem to breathe as a living set piece from music to ideology on down. So where in New York did that leave Iron Fist? The most supernatural of the four Defenders characters, his story seemed far more intriguing on a surface level than his three counterparts.
Marvel bet big on Netflix's The Defenders rolling out to strong success. How Iron Fist became the first dud of the saga.
Long before Oakland, California saw one of its big- gest sons rise on the national stage at the Academy Awards last Sunday, he had spent the previous week tending to his wife.
GameStop has announced stores will have a limited supply of Nintendo Switch systems available for walk-in customers on the March 3 launch day.
No matter where you turn, the state and local governments are making headlines, both for the good and for the bad. Regardless of what’s going on in Washington with our current President of the United States, the news has made a considerable trickle down to Texans and most importantly, Houstonians.
Nike Football’s Super Bowl contribution wasn’t in the form of a massive party. Or even a display dedicated to their long standing relationship with the athletic community whether it be on the field or training. Instead the longstanding sportswear giant chose to give back to two outstanding football communities from two of the more historic districts in the city.
The set up for Raoul Peck’s “I Am Not Your Negro” is reflective of the times. Baldwin, one of Black America’s foremost voices on race relations in the 1960s to the point he’s been lionized for all time is made to feel as if he’s speaking for the current. No less than five minutes into Peck’s film are we shown various scenes of anguish and protest from Ferguson, Missouri. It’s the film’s biggest allegory that Baldwin’s work, even when originally framed around the deaths of three of his friends can be echoed for all time.
At schools across the country, the vibrancy of February is all the same. There are the morning announcements, with school wide events announced; birthdays lauded, teachers and school teams having imaginary flowers thrown on their name. Then comes the obligatory read out of a Black History Month figure. Some students roll their eyes of boredom, others, too disinterested to care. Yet there is one student, his or her ears perked up, waiting to feed into someone new. They’re anticipating a new fact, a new lesson, a new hero to look upon.
Hans Zimmer performing means Coachella is sick & tired of playing with other festivals.
The Coachella Valley Music and Arts Festival has emerged as the yearly big bad when it comes to music festivals. The 2017 lineup was announced earlier this morning with headliners Radiohead, Beyoncé & Kendrick Lamar. The lineup also features heavy hitters such as Gucci Mane making his Coachella debut, Lorde making her return and more. The festival will once again take place on two separate weekends from April 14 to 16, and April 21 through 23. All of the action will take place at the Empire Polo Field in Indio, California.
The heart of Denzel Washington in “Fences” is that he’s complicated, but when he is not? For the past four decades now, Washington has made a career out of complicated. The flawed hero is an acting archetype that should be renamed after Washington’s image. Cold stares; wide smiles; powerful monologues; internal discussion that dares anyone near him to be sucked into his orbit.